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• • • • • • • • • • • • Music review: Replica from Oneohtrix Point Never and James Ferraro’s Far Side Virtual By Zac Corrigan 4 September 2012 Replica is Brooklyn-based experimental musician Daniel Lopatin’s eleventh release in five years under his main pseudonym, Oneohtrix Point Never. An odyssey through ten strange, evocative soundscapes comprised mainly of looped and edited samples, Replica represents a creative departure from the project’s previous material, mostly centered on the otherworldly sounds of synthesizers and various effects units. Replica was built from of a vast smorgasbord of sounds: voices drone, stutter and gasp; footsteps flit past; panthers roar; videogame foes attack; electrical devices hum; an eagle’s caw echoes through mountains, etc. These are augmented by a fair amount of samples of brief musical phrases played on traditional instruments like pianos and hand drums. Lopatin chops to pieces, stretches, loops and deftly weaves these sonic elements into immersive settings that evolve and unfurl in interesting ways throughout their three-to six-minute runtimes. Pc Pettersson Und Findus Skype. Xvid Playing Psp S On Ps3 on this page. The result is an album of little impressionist marvels that evoke an enthralling and complex mix of moods and mental pictures. Lopatin’s established skill as a hypnotically evocative sound designer and composer are on display on Replica’s best tracks, which take the listener on unpredictable little journeys that tug at the heartstrings in multiple directions.

Opening track “Andro” gradually builds a blissful crescendo of human voices, birdsong and a slightly sour wooden flute; suddenly jungle cats attack and the track becomes a frantic escape. Sql Server 2012 Express Crack. “Power of Persuasion” spins a cycle of piano loops alternately tense and angelic, until a mournful trumpet and an ocean tanker blare through it majestically like so much fog. “Remember” presents a soothing, meditative ether of lushly reverberating, droning vocalizations, which is then disturbed by a distant voice insistently repeating “Remember!” The voice grows in volume until it upsets the track into a buzzing, stuttering coda. It feels like being jarred out of a pleasant daydream by a worry that had been temporarily forgotten. The initially playful “Child Soldier” begins with the album’s most danceable rhythm—a patchwork of 16-bit laser gun blasts, karate grunts and pregnant pauses—which is soon joined by a wonderfully chopped and arranged vocal hook that joyfully repeats “Time for you!” The whole thing is slowly swallowed by an encroaching children’s choir and a somber string ensemble. A couple of the album’s less interesting tracks simply establish a wash of pleasing textures and drift away, but typically the listener can’t be sure where he or she will end up from one minute to the next.